A-CHAN, Katya Grokhovsky, Joan Linder, Paul Loughney, Reuven Israel, Ryan Sarah Murphy, Melissa Murray, Marcie Revens.
Co-curated by Yan Gi Cheng and Peter Gynd.
Read MoreReuven Israel News
A-CHAN, Katya Grokhovsky, Joan Linder, Paul Loughney, Reuven Israel, Ryan Sarah Murphy, Melissa Murray, Marcie Revens.
Co-curated by Yan Gi Cheng and Peter Gynd.
Read MoreOpening reception: Thursday, January 22nd, 2015 8PM
Opening date: Friday 23 January 2015
Closing date: Show Has No Closing Date
Curator: Ellen Ginton
The new display holds three chapters: Pioneering and National Modernism presents Modernism-influenced art made in pre-state Israel and in its early years; Post-Zionist Post-Minimalism: Internationality and Subjectivity—art from the 1970s to 1999, relating to the geometric and personal; and Early 21st Century: Reductivism and Redundancy—art with an emphasis on Minimalism and Maximalism; a subchapter is dedicated to Post-Modernism—Feminism, presenting works by the first decisive generation of women artists from the 1970s.
Miami Beach, Florida
Read MoreFriday, November 21, 6pm
Read MoreRecent & Relevant is a two-person exhibition investigating the universe of presence and absence, sculptural continuity and ephemeral existence. Through recent paintings and pertinent drawings by emerging artists Rudy Cremonini and Reuven Israel.
Read MoreReuven Israel's sculptural work has an air of unreality. Outlining symbols of shared memories they or not abstractions of specific objects but sculptures thriving for autonomy as unique things. Encountering these objects evokes a range of associations often related to furniture, practical science, religious artifacts, architecture and symbols of power.
The sculptures are crafted individually mainly from wood and paint adopting features in shape and surface that give the impression of metal or plastic. Meticulously fabricated they may easily confuse a viewer to think of them as objects out of an assembly line. Each body of work is accompanied by a series of watercolor drawings. On large sheets of paper, rendered sculptures float on dark backgrounds determining sets of different relationships between shapes in imaginary form, wait and perspective.