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Tempus Fugit at 89 Greene

A performative Site-specific wall piece
January 27 - March 23, 2024

signs and symbols, New York

This sculpture, like several of the artist’s previous pieces, consists of movable elements that can be arranged in numerous configurations. In this instance, six triangle parts are mounted on a hexagon and slide on hidden tracks, changing the overall configuration. There are twenty-four possible variations—one for each hour of the day. Corresponding to the founding principles of signs and symbols, the artist embraces movement and duration in this sculpture. Israel also made Tempus Fugit as a challenge to himself: to conceive a work with a limited, yet significant, number of modifications that could be experienced anew on each visit to the space.

Tempus Fugit is a Latin phrase that means “time flies.” It is appropriate that the work is shown at the beginning of a new year when each of us has hope for an improved future. However, it is also significant that each new year seems to come quicker than the last as we age. Tempus fugit is a phrase used to remind us to seize each day and live life to the fullest. Israel’s sculpture can be seen as a kind of low-tech encrypted clock, in need of a person to change it every hour, exposing the contradiction in the way we experience the flow of time: on one hand how time moves slowly when we are waiting for an event, and on the other hand how it flies by when we are not paying attention.

Israel’s sculpture, typical of his practice, was made painstakingly by hand, amounting to countless hours of toil. While his sculptures can appear as machine fabricated, they are created by the artist himself, starting with simple wood that is then shaped, sanded, painted, and buffed in a laborious, solitary process. His works contain references that range from science fiction to ancient, sacred, and culturally significant architecture. His refined palette—in this case aubergine, tan, and fleshy pink—is drawn from a myriad of these references.

The artist and curator will be present at the gallery, from noon on January 27 to noon on January 28. During this time, Israel will “perform the piece,” choosing a new variation of the sculpture each hour. This process will be documented and later shown as a video.

Tempus Fugit , 2024
Walnut, maple, bronze and metal hardware

Sources:

Performance shot by Gili Getz

Video excerpt: Nuria Rius

Text: https://www.signsandsymbols.art/89-greene/tempus-fugit

Aperture, One Eye Shut

One Eye Shut
July 27. 2024 - August 31, 2024
Nazarian / Curcio, L.A.

The sculptures in One Eye Shut continue this modality, with works like Aperture shifting between references to sacred geometry and the Star of David. However, they also serve as a sober warning, a call of distress and attention. Whether in the ominous black shapes of Aperture or the SOS sculptures’ call for help, these works and their nearly monochromatic palettes of blacks and earth tones, are heavy with emotional weight. However, the fact that the sculptures are reconfigurable and thus resist a static position serves to illuminate that our world is in constant flux, always with the potential to evolve. As the sculptures physically morph, they both adopt and shed the various political, cultural and religious symbols from which they derive their form.

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